Thisness, these two paragraphs from cut ups that were taken from something I read recently.
You can see the original writing and the pieces I clipped from the whole below.
The bravery of transcendence into the unknown, in multiple contexts, all set to discuss creation.
Regardless of interpretation, moving towards the creation of the cosmos, shaping destiny with moon lit faces in a field.
Sun, Moon and symbols of that creation, that turns the face within the cycle of life, revealing a woman wielding the smallest parts of an unknown.
A mystical portrayal of the alchemical womb twisted in the travel by the process of refraction.
Dancing around the relationship between me and the world tree, she sees, set upon the alternative, an unexplainable phenomenon of innate matter.
And it portrays them as if upon the idea of alchemy and paradox, and incubation, nature’s fantastical has a likeness to Carrington’s way.
Akin to Varo, with the iconography of birds, eggs, and bird-women, reflected in these three women.
And there, on their feet, stand three women, holding within, the Sun, Moon and all else that shines,
Maiden, Mother and Crone, reflect and discuss the creation that they feed in the womb as they shape destiny.
Painting. The Giantess or The Guardian of the Egg by Leonora Carrington
Text for a mash up, cut ups all from https://jadadeluca.substack.com
the bravery of transcendence into the unknown,
Birds are commonly associated with freedom
reveal a woman wielding the cosmos
release her creation into the night
a mystical portrayal of the alchemical womb.
by the process of refraction
Newton’s Triangular Prism, suggesting that the powers of women
her right hand
Varo contemplates
origins of our universe
then adds a third variable
placement of the violin on the owl-woman’s chest
science and creativity, creation also becomes
becomes a matter of the heart
the owl-woman’s desk is alchemical
organic, mechanical, intellectual and metaphysical
All above from On Creation of Birds by Remedios Varo
All below from On The Giantess by Leonora Carrington
our starting point with Leonora Carrington.
iconography of birds, eggs, and bird-women
upon the idea of alchemy and paradox
an emulsion of yolk, vinegar
was popular before the rise
with a moonlike face in a field
can also be found on the smallest of
in such a miniscule way
of the cosmos itself, the ‘unhatched’ potential
viewers think of both unity
incubation, and nature’s fantastical
unexplainable phenomenon of
seemingly innate matter
on the alternative
is reflected twice
feet stand three women
at the bottom of
(1470),
(Maiden, Mother and Crone) which
portray them as
for the cycle of life
be inferred with this
Verðandi
shape destiny
Sun, Moon and
symbols of the creation
the world tree
has a likeness to
the creation of the cosmos
her face the moon, and the
reflected in the three women.
Regardless of interpretation
smallest parts of
sometimes hold the
is Carrington’s way
about the relationship between
to discuss creation
Akin to Varo,
in multiple contexts